Let’s put it like this: We screened it for heavily-black audiences quite a few times, where the audience was between 40 and 60 percent black. That’s pretty black. We also screened it for a 100 percent black audience, and you would’ve thought it was 1973 and they were watching the end of Coffy [A blaxploitation era flick starring Pam Grier]. It’s funny because I was sitting next to [executive producer] Harvey Weinstein and he turns to me and says, “I guess we know who we made this movie for.” [LOL] But the film really has a lot of ups and downs, and taps into a lot of different emotions. To me, the trick was balancing all those emotions, so that I could get you where I wanted you to be by the very end. I wanted the audience cheering in triumph at the end. So, as rough as some of the things I show in the movie are, they couldn’t be so rough that you’re too traumatized to enjoy the movie any longer.